There might be a scene where two people are casually talking; then, from some detail in the conversation, the characters suddenly comprehend each other’s true feelings. In that instant, action stops, actors freeze, and from stage left wooden clappers go battari!
The two characters resume speaking as though nothing has happened; however, in the instant of that battari!, everything has changed.
(Kabuki’s stop-start moments, described by Alex Kerr in Lost Japan.)
Continue reading “Nothing changes everything”
Doubt entered our way of knowing, alongside danger: another feature of the Anthropocene. – Anna Lowenhaupt Tsing and Niels Bubandt, “Swimming with Crocodiles”, Orion, Spring 2020, 70.
Like many, I have become somewhat obsessed with the novel coronavirus. Most days I spend a good chunk of time tracking the tragedies and transformations it has already wrought, as well as trying to understand the shape of what is to come.
How I think about the virus and its impacts changes at least a little every day, and has changed quite a lot over these weeks. I wrote earlier that I thought of the coronavirus as a message, and I still think so. Not that I think of it as an intentional message from God, Nature or Gaia, so much as a foreshadowing of what is coming, what is unfolding. Many of us have had the luxury of living within a benign, stable environment for all our lives. The coronavirus may be the first wave of the cataclysm we have called “climate change.” This is what climate change will be like, to live it. This uncertainty. This pain. This breakdown of systems designed to function under stable environmental and social conditions. The difference is that this is just a little nudge, just one little ripple on a global scale, rather than the relentless cascade of breakdowns that climate change will bring. And this little nudge is sending us into a tailspin. Continue reading “Coronavirus Journal: Under the Sign of the Crocodile”
Published on the website for Critical Inquiry
The unforeseen coincidence between a general confinement and the period of Lent is still quite welcome for those who have been asked, out of solidarity, to do nothing and to remain at a distance from the battle front. This obligatory fast, this secular and republican Ramadan can be a good opportunity for them to reflect on what is important and what is derisory. . . . It is as though the intervention of the virus could serve as a dress rehearsal for the next crisis, the one in which the reorientation of living conditions is going to be posed as a challenge to all of us, as will all the details of daily existence that we will have to learn to sort out carefully. I am advancing the hypothesis, as have many others, that the health crisis prepares, induces, incites us to prepare for climate change. This hypothesis still needs to be tested.
What allows the two crises to occur in succession is the sudden and painful realization that the classical definition of society – humans among themselves – makes no sense. The state of society depends at every moment on the associations between many actors, most of whom do not have human forms. This is true of microbes – as we have known since Pasteur – but also of the internet, the law, the organization of hospitals, the logistics of the state, as well as the climate. And of course, in spite of the noise surrounding a “state of war” against the virus, it is only one link in a chain where the management of stocks of masks or tests, the regulation of property rights, civic habits, gestures of solidarity, count exactly as much in defining the degree of virulence of the infectious agent. Once the entire network of which it is only one link is taken into account, the same virus does not act in the same way in Taiwan, Singapore, New York, or Paris. The pandemic is no more a “natural” phenomenon than the famines of the past or the current climate crisis. Society has long since moved beyond the narrow confines of the social sphere. Continue reading “Is This a Dress Rehearsal? – Bruno Latour on the Pandemic”
Last Sunday afternoon I came across a yellow-white dog lying hidden in a patch of tall grass. Someone’s hunting dog that had gotten lost and never found in all likelihood. It was emaciated and clearly very sick. Probably I should have just left him there to die. It would have been the wise thing to do, in retrospect, but also something that I don’t know if I am capable of doing, wise or not. So I brought him home, locked him in the bathroom in my carport, and tried to help him. He was so weak he couldn’t walk or even hold his head up for very long. He had beautiful brown eyes. When I tried to open his mouth to get some electrolytes down his throat I saw that his gums were ivory-white. Not good. I made a boot-bath of chlorinated water outside the door so I would not be tracking pathogens out of the room. I gave the dog a shot of penicillin hoping that it might help him, although it was pretty clear he was a goner. In the process of re-sheathing the needle, I grazed my finger. A tiny graze, I wasn’t sure if I had even pierced my skin. I was horrified at my carelessness. I went into the house and scrubbed my hands with soap and scalding water. Should I go to the emergency room? It seemed like an over-reaction since I wasn’t sure I had even infected myself. That night it rained like the devil, 4.5 inches. The dog died in the night. It was some consolation that at least he was somewhere warm and dry in his last hours, although perhaps he was too far gone for it to have mattered much. The next day the pinprick on my finger was red and swollen. I had infected myself with something. Over the next day I felt it traveling up my arm, making my muscles ache. It was a startling sensation to feel oneself being infected, and especially so given the general anxiety about infection in these recent days. I was lucky that I could get a prescription for a broad-spectrum antibiotic via telemedicine that stopped the infection. Continue reading “Bodies of Infection”
We abuse land because we regard it as a commodity belonging to us. When we see land as a community to which we belong, we may begin to use it with love and respect. (Aldo Leopold, 1949)
The trees had to go. Two magnificent mature trees, a copper beech and a lime, 150 years old and probably 100 feet tall. In their time they’d seen the port city expand towards and eventually far beyond them. Now development, so-called, had doubled back to mop up a little pocket of unexploited territory.
Continue reading “Bearing witness”
We’re in an age of tipping points now, tipping points upon tipping points. No sense beating about the bush.
The climate’s tipped into free fall. We mostly conceive of climate change in increments of temperature rise, but it might as well be depicted as a plummet into bottomless unpredictability, also known as chaos, because that’s what’s coming upon us now as the icecap thins and cracks, the tundra belches millennia of freeze-framed methane, tropical rainforests are scoured bare, air and ocean currents slacken and flip, and countless fellow species on this teeming membrane of life vanish into the void.
Continue reading “Freefalling”
The wind is slashing through the bamboo this morning from the east across the ocean, in its usual trade wind pattern. Last week it was coming down off the mountain from the west, what we call a Kona wind which is usually mild and gentle. When it is not so, the Kona wind uproots tree and downs power poles, as it did last week. Continue reading “February’s Ocean”
“Why do I want to come away alone like this, I wonder? And when I do, why this preference for old shepherd’s huts or abandoned camps or shell-shocked farm houses?…Is it somehow by passing dark nights and wandering under vast skies alone, that one comes into the presence — the inner presence, the nurturing, beautiful, poetic presence — of reality?” Freya Mathews, “Barramunga: Return to the Doorstep of Night” in Reinhabiting Reality: Towards a Recovery of Culture, 197. Continue reading “Barramunga”
To summarize (which is only a beginning): Latourʻs Inquiry will take you on an arduous climb over the mountains, from one way of knowing and being to another possibility, a country strange and new; Mathews is already there in that new/old country and her book will show you that a part of you has always lived there. Also that a part of you longs to be a native of that place, which is really this place, where you have lived all along, seen with other eyes.
Continue reading “Latour and Mathews again: some notes”